Check out J-Generation′s best J-Pop and J-Rock album/single jackets of 2018, chosen by contributors David Cirone, Michelle Minikhiem, Marc Bowie, Todd Nelson, and Nhu Nguyen.
KAYA – FABULOUS
David: Case-in-point of perfect simplicity. Nearly a year after KAYA released the provocative image for his April 2018 single, “Fabulous” remains his most iconic, sexual, and powerful pose to date.
Man With A Mission – Take Me Under / Winding Road
David: Ride or Die with the rocking wolves, the “Take Me Under” jacket art brings adrenaline and danger to the double A-side release, matching the single’s action movie-themed music video.
Mary’s Blood – Revenant
David: There’s a bad moon on the rise, and Revenant‘s haunting but elegant design gives fair warning of the chilling guitar riffs waiting in lead track “World’s End”.
Wagakki Band – Otonoe
David: The bold watercolor strokes of Wagakki Band’s 5th album Otonoe evoke the artistry and elegance of the genre-defining band, with vocalist Yuko Suzuhana’s emotional visage at the forefront.
Onmyouza – Hadou Myouou
David: I might not be the only one who did a Game of Thrones double-take on Onmyouza’s 14th album Hadou Myouou. Band leader and bassist Matatabi atop a ghostly throne sets stage for the scathing metal album which includes the theme for Basilisk: Ouka Ninpouchou.
Gesu no Kiwami Otome – Suki Nara Towanai
Marc: On their fourth album, Suki Nara Towanai, the always enigmatic Gesu no Kiwami Otome serve up their acid-jazzy take on progressive rock, and the vibrant neon pachinko image on the cover reflects that spirit of playfulness.
SCANDAL – HONEY
Marc: The cover to SCANDAL’s eighth album, HONEY, is a case study in fearlessness, as the band eschews the need to show their faces and instead, backs turned, embrace one another in a show of warm solidarity and utter confidence. The album’s moniker placements have cheeky appeal, pun intended.
UNISON SQUARE GARDEN – MODE MOOD MODE
Marc: Why is there a giraffe on the cover of MODE MOOD MODE, and is that man or a monkey riding it? Answers are not forthcoming, but the cover intrigues by its very capriciousness.
MYTH & ROID – “Overlord III” (Anime) Intro Theme: VORACITY
Nhu: The hand’s crushing a heart! Okay, not really, it’s actually a tomato. A striking and sinister effect created where no heart had to actually be crushed in the making.
Plastic Tree – doorAdore
Michelle: It reminds me of an Ansel Adams photograph — striking black and white, evocative because it’s an open door on a desolate landscape. It invites you into a place beautiful but empty, lonely… which is fitting to the band’s often melancholy and contemplative tone.
Kiyoshi Hikawa – Shin, Enka Meikyoku Collection 8 -Fuyu no Pegasus
David: Kiyoshi Hikawa can pull this look off in a million ways that I can’t. Fabulous level 100 achieved, with winged horse for extra credit.
Daoko – Shiteki Ryoko
David: Daoko’s adventures take her into outer space for her 3rd album Shiteki Ryoko, including her collaborations with Yasutaka Nakata for the Dragalia Lost RPG, video game composer Taku Inoue, and Masayuki Nakano from BOOM BOOM SATELLITES.
Aimer – Ref:rain / Mabayui Bakari
Nhu: The striking cover reminds me of an art installation Instagramers would love to capture as singer Aimer sits in the middle of a myriad of upside down pink umbrellas, choosing only one to serve its purpose.
m-flo – Piece of Me
David: m-flo’s mildly retro “Piece of Me” — the theme from Prince of Legend — goes full retro in the single’s key image, signaling the newly-reformed trio’s willingness to poke fun at their own childish personas.